Posts Tagged ‘native trees of Canada’

Oh Canada! A Prayer for my Country

Saturday, July 1st, 2017

On this day of our country’s 150th anniversary, I’m at home alone. My husband is in Europe and the rest of family and friends live away or have other plans.

I’ve never been one to join the hoopla and rah rah of nationalism. Right now I’m in the best place I can think of… my own home, on my own. My plan is to stay put all day. This morning I walked along our road on my usual circuit. A toad killed by a car caught my eye, and I carefully removed it to a shady bush to spare it further indignity. Such a fleeting little life, snuffed out. It reminded me how we humans occupy a similar small space in the grand scheme of the universe. Even 150 years pales in comparison with eternity.

 

The Comfort Maple on home turf

So for this notable day, I chose as my model for meditation a grand old tree, the Comfort Maple of Pelham, now thought to be 500 years old. Like me, she has deep roots, older than the country that holds her. Hers draw on soils built over thousands of years with the bodies of billions of life forms. She breathes air from the breath of ancestors, human and pre-historic. My roots are formed from my ancestry of French and Scottish settlers mixed with North American Aboriginal blood. My breath is her breath. We share the present and the past.

The Comfort Maple doesn’t need a day of celebration – she is a celebration in herself. Each day, each minute, is a full appreciation, a prayer, of the moment. But as upright as she is today, she is declining, well past her best-before date. She is a grand old dame, destined for the same dust she has drawn upon for centuries. If she’s allowed to die naturally, she will stand for a few more decades, slowly returning to the soil all that she has taken, and more, will provide nesting and breeding space for a whole new set of creatures. Her passing is every bit as important to the natural world as her many years of service in life.

Mother Tree 2017 Framed fabric collage 18×18″

Countries, as we know them, also come and go. We don’t know what will happen over the next 150 years. My hope for our country mirrors my hope for humanity: that we will thrive without ever putting ourselves above the common good. The only purpose for borders is to keep other countries from impinging on a set of arbitrary freedoms, goals and regulations. The natural world does not make borders. At some point in the future, perhaps all borders must dissolve for a united world, and, at the risk of sounding disturbingly unpatriotic, I hope we have the trust and courage to let ours go if such a remarkable opportunity presents itself.

I adore this country, and celebrate it every day with all my heart and soul. I feel so lucky, so grateful to have been born on her soil. I’m in full support of parades and parties, and all the positive energy around them. But as for me, I will stay near and quiet today, listen to the birds, note the shadows, hold a caterpillar in my hand. This is my Canada, my beautiful beautiful Canada. May we accept the wisdom of an old maple, who by gracefully surrendering to the present, teaches us all we need to know for the future.

Black Swallowtail butterfly caterpillar in our forest of bronze fennel

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Canadian Comfort

Saturday, February 18th, 2017

Lately I’ve enjoyed portraying particular trees, either for the great stories associated with them, or because of their exalted status as Designated Heritage Trees. In my search for a tree that might exemplify the true Canadian spirit to honour Canada’s 150th anniversary (and to submit to a local juried show), I came across a truly marvelous specimen who lives in Pelham, Ontario in our Niagara Peninsula.

The Comfort Maple on home turf

The Comfort Maple is believed to be the oldest and finest sugar maple tree in Canada. It lives on half an acre of land purchased by the Comfort family in 1816 and later entrusted to the Niagara Peninsula Conservation Authority, to protect it for its historical and biological significance. In 1975, the tree was estimated to be 400-500 years old by the Ontario Forestry Association. This tree towers about 80 feet at its crown, with a trunk circumference of 20 feet, which is crazy huge for a sugar maple. Despite its age and exposure to at least two bouts of lightning, this is one stunning tree in all seasons.

How to portray the story of this lone giant? I looked at all the available images from winter to fall, checking colour variations, bark texture, position of branches and location in the landscape. I found several articles that discussed its history, age, and issues of preservation. I was struck by the thought that, at 500 years old, this great old maple must have germinated in old growth forest, yet now it finds itself surrounded by tilled land with no other trees nearby. I wanted to bring this contrast of past and present into the piece.

I started with a coloured thumbnail drawing that included a field and shadowy forest in the background, shown during the day, in the fall season. But sadly, the design lacked that certain ‘je ne sais quoi’.

Drawing #1

Why not change it to night, I debated, for a stronger sense of mystery? The shadowy forms behind the tree would recall the primordial forest which existed when the maple was a tender seedling. In front of the tree could stretch the rows and furrows of its newer agricultural surroundings.

Drawing #2

Fine then, Drawing #2 it was! But… maybe a change of frame shape… should I make it a bit deeper to show more of the field rows? Hmm.

Time passed (insert sound of sewing machine, and some thread, cottons, silks, yarns)….

And voila!

The Comfort Maple
Framed textile 24×36″

In my sketches for a new piece, I rarely put in all the details. A lot of the good stuff happens right on the piece itself. I trust that as I focus on the theme for those long hours, fresh relevant ideas will come. As I began the background work I wondered how to address the long interval in time between sapling to ripe old age. What if we could tap the half-century long memory of this magnificent specimen? So I added a small closed door in the trunk, to honour the stories it might love to tell us, if only it could.

Because I’m an artist. I can do anything.

The little blue door

For colours – that particular bronzy yellow/orange from one of the fall photos was a frustrating challenge to capture. After some experimentation, I combined five different shades, colours and metallics in tiny snippets to get the right effect.

And the moon… well a rare tree like this can only occur once in a blue moon…. so that choice was made for me.

Happy birthday, Canada!

Blue Moon for the Comfort Maple

Wood artist Marv Ens of Pelham is making beautiful pens from the wood trimmed from this tree. Proceeds from their sales go to the Niagara Peninsula Conservation Foundation to continue their good work. It comes with an embossed display case and a Certificate of Authenticity. At $75, this is THE perfect gift for any environmentalist. To order one, contact Genevieve-Renee Bisson, Foundation Coordinator, Niagara Peninsula Conservation Foundation at (905)788-3135 ext. 260  Website: www.npca.ca.

Comfort Maple pen by Marv Ens.

 

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Winter Apple

Thursday, December 22nd, 2016

I’m looking out our back window as we speak. A drift of snow fell overnight and the world looks magical. Our old apple tree came with the property and we expect it’s as old as the house itself which was built in 1956, which makes it exactly my age. When we moved here the tree was in dire condition, with branches to the ground and a forest of suckers. It took a few years to get it back into shape and we now enjoy its beauty in all seasons. It even gives us a few delicious, crispy apples every now and then (not a given, given our ‘organic’ practices!).

Our old Apple Tree

I love the shape of this tree. Hawthorns and apples, and indeed many fruit trees, evolved to this wide low shape so that their spring blossoms are easily available to bees. Their graceful horizontal form is also restful to the eye, and I’ve created many pieces with this in mind. Each year provides a fresh take on it.

I will leave you with a bunch of images of my work, some quilts, some framed, in no particular order, relating to the apple and hawthorn, and wish you a beautiful, FRUITFUL New Year!

Apple Seeds 2001 27×31″ Quilted wall hanging

Blue Moon #4 2014 12×24″ framed textile

Faith 2010 30×40″ framed textile

Hawthorn – Red Sky 2003 27×31″ quilted wall hanging

 

Hawthorn 2014 8×16″ framed textile

Hawthorn with blue memory 2000 14×24 quilted wall hanging

Lifeline #1 2013 10×30″ framed textile

 

Little Apple #4 2016 6×12″ framed textlle

 

Little Green 2011 6×6″ framed textile

 

Mystic Apple 2014 12×24″ framed textile

 

Small Orchard #1 2016 10×30″ framed textile

 

Tenacity 2010 16×22″ framed textile

Triumph 2011 30×40″ framed textile

 

Tree House #3 2016 18×36″ framed textile

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Heart on my sleeve

Saturday, February 14th, 2015

I spent a good part of my youth and young adulthood in constant inner and outer turmoil. Great leaps of faith and trust routinely led to an array of unfortunate experiences. But, being young and having the energy for it, I pulled it all together, time after time, and somehow, with great luck and support, came out stronger and better. Though I am grateful for those rash decisions because they led to where I am now, experience showed me that my life is connected to many others, and there is no such thing as a solo jump into the abyss. Everyone comes along for the ride. A sobering thought for this mature, yet still adventurous, spirit.

It’s not this:

SYLVAN SPIRIT #11  2005 16x15"

SYLVAN SPIRIT #11 2005 16×15″  Just me.

It’s more like this:

BURNING BUSH #11 2009 30X10" A dangerous solo leap.

BURNING BUSH #11 2009 30X10″
A dangerous solo leap, don’t know where to.

Enter ART….

And this is how I can officially say: I have not said goodbye to adventure each and every day, and I still wear my heart on my sleeve. Every morning, I get a chance to leap before I think, with the only negative consequence my own disappointment, and perhaps the odd *sometimes* relevant zinger from an itinerant critic. Just last week, I took apart an entire large abstract piece THREE TIMES, frustrated and crying, dumped it all, began again.

LIGHT RAIL 2015 12X36"

LIGHT RAIL 2015 12X36″   Okay, so this is the piece I took apart three times.

No one was hurt, and I didn’t end up on the street! Yet if and when the effort leads to success, there is learning, there is growth, there is enormous satisfaction and pleasure, and there is the chance to share what is in my heart. ART is the WAY. Therefore, on this day devoted to LOVE, I share with you a range of works I made over the years, which were either leaps of faith, or that speak of love in various forms.

I love what I do, I love where it has taken me, and I love sharing it with you. Happy Valentine’s Day!

Below are trees with their seeds, and tree seeds: Seeds are the product of tree love, yes?

RED HUCKLEBERRY 2012 16X8"

RED HUCKLEBERRY and SEED and LEAVES 2012 16X8″

CASUARINA SEED 2008 24X12" From my Seed and Earth series

CASUARINA SEEDS 2008 24X12″ From my Seed and Earth series

CASUARINA DETAIL

CASUARINA DETAIL – Machine embroidery

Who says a heart must be red? Trees see it all so differently.

VERDANT HEART 2013 12X6"

VERDANT HEART 2013 12X6″

Love bridges divides,

SECRET HEART #5 2014 8X8"

SECRET HEART #5 2014 8X8″

… and occasionally goes into dormancy

SECRET HEART #3 2013 6X6"

SECRET HEART #3 2013 6X6″

It’s intensely biological

Ovulation Series #1 2007

Ovulation Series #1 2007

The result of opposing, but complementary forces

COUNTERPOINT DIPTYCH #9 2003  Quilted wall piece

COUNTERPOINT DIPTYCH #9 2003
Quilted wall piece

No container can hold it…. well, maybe this one can?

People always asked me, So what are these for??? Sigh.

Box #6   6x10x6″ People always asked me, So what are these for??? Sigh.

It can be somewhat undecipherable….

LOVE LETTER 2000 43X24" Quilted wall hanging

LOVE LETTER 2000 43X24″ Quilted wall hanging

Or delicate and ephemeral….

BOUQUET #9 2004 37X18"

BOUQUET #9 2004 37X18″

Or very very risky. I made the wall piece below as a gift for a couple who married in a beautiful quarry. I wish I could say that it safeguarded them both as they took their leap, but it did not. Art can’t do everything.

WEDDING IN THE QUARRY 2008 Quilted wall piece, commissioned.

WEDDING IN THE QUARRY 2008 Quilted wall piece

But there is safety in numbers

FISSURE #4 2011 15X30"

FISSURE #4 2011 15X30″

And the solace of a box of bonbons, no matter how things turn out.

BONBONS 1 2008 28X28" Who doesn't love a boxful of bonbons?

BONBONS 1 2008 28X28″
Who doesn’t love a boxful of bonbons?

I invite you to subscribe to my blog… there’s a box up on the right sidebar where you can enter your email address. You won’t get deluged with posts, I promise!

Heart of Cold: Ten reasons to embrace winter without Irony

Saturday, January 31st, 2015

I was born in what is lovingly nicknamed the Banana Belt of Ontario. This flat, intensely agricultural area is nestled in by three lakes: Lake Huron, Lake Erie, and Lake St Clair. Despite the relatively warm climate, serious snowfalls were common, and I grew up loving the endless white expanses and tall accumulations against our farm buildings in winter. It was childhood heaven.

FENCEROW 1 2014 24X24  A country drive in winter

FENCEROW 1 2014 24X24: Collage
A country drive in winter

Each year I reconnect and fall in love again with winter’s stark beauty. Today I share ten good reasons, none of them cliché, to embrace winter’s cold cold heart. Here goes:

1. Contrast – what is life without it? We would never appreciate light if we didn’t know darkness. Or heat, without frozen fingers. I love black and white compositions.

Winter Woods #1 I made this sketch right after that walk – I used big markers because that’s all I could see

Winter Woods #1
I made this sketch right after a local hike, using big markers to keep from getting too fussy.

2. Nature has fun with it – brilliant splashes of colour are more intense against a snowy backdrop.

Red Maple 2008 28X32 Wall mounted quilt

Red Maple    2008   28X32″  Net collage, machine embroidery, appliqué and quilting.

3. Native plants go to bed until spring – they need rest. Good example for all of us.

DARK WOODS 10 2005 28X15

Dark Woods #10   2005   28X15″  Phototransfer of a tree, net collage and machine embroidery.

4.  There’s more going on than the eye can see – stuff is happening under there.

FISSURE 3 2011 16X20

Fissure #3   2011   16X20″  Seeds, fungal spores, insects and other soil organisms burrow down, some die, some hibernate. Roots keep working.

5. You can see farther, especially if you are already short.

DEEP SNOW 5 2004 19X19

Deep Snow #5   2004   19X19″   Phototransfer of treetops, net collage and machine embroidery.

6. You don’t have to worry about deer eating your apples before you do.

The view out my back window after an early snow.

The view out my back window after an early snow.

7. Conifers are still working. They are at the helm!

WINTER MOON #1 2010 12X9"

WINTER MOON #1  2010  12X9″ Conifer leaves are resistant to cold and moisture loss. On cold dry days, their needles curve in to reduce their exposed surface. They continue to photosynthesize, only more slowly, as long as they get enough water.

8. Night skies are enchanting.

TREES I HAVE SEEN 1 2009 2 24X24

Trees I have Seen    2009   24X24″   Net collage, appliqué, machine embroidery.

9. Whether you love pruning or not, there’s no need to do it in February. You can, but you don’t have to.

DARK WOODS 7 2004 28X17

Old Apples #7   2004   28X17″ Phototransfer of trees, net collage, machine embroidery.

10. And we all know: spring will follow in due course ……

To the Light #2  Stitchery on photographic print

To the Light #2  8×4″
Machine stitchery on photographic print, watercolour, fabric collage

 

Small is beautiful

Friday, January 23rd, 2015

(This post is the third installment of a creative journey inspired by research on tree root communication. For a bit more background, go to Going Somewhere? Start with a map, and The Mother Tree.)

Trees can’t chase their food, so they must count on resources harvested from their immediate area. Through the process of photosynthesis, they can feed themselves directly from the atmosphere using sunlight and carbon dioxide. But this chemical process also requires plenty of water … and for many trees, a consistent source is not always a given.

Cedar Grove by Janusz Wrobel

Cedar Grove by Janusz Wrobel

From the fungal point of view, water is not a problem. Fungi have the ability to draw water from the most grudging of sources, even from the air itself. They also break down molecules into simpler nutrients that can be absorbed by tree roots. But they are not capable of creating their own food because they do not photosynthesize. Trees and fungi are meant for each other!

Secret Heart #7  6x6"

Secret Heart #7 6×6″

It’s a lovely, romantic idea. But how exactly do these two very different species get together? How does the two-way transfer of water and nutrients work?

In my last post, we saw that a fresh seed root soon introduces itself to the massive fungal network in the top layer of the forest floor. The root tip exudes a natural hormone that awakens fungal spores or strands nearby. In a process called colonization, the alerted fungal strands pierce their way through the epidermis (skin) of the roots. (If this sounds like a terrifying Body Snatcher situation, remember that our own bodies are walking zoos: we have at least ten times as many bacteria, not including yeasts and fungi, as we have human cells.)

Once inside, the fungal strands colonize the root in one of two ways, depending on the species:

Cross section of root tip showing two different types of mycorrhizal colonization. Photo courtesy of the Botany Department at West Virginia University

Cross section of root tip showing two different types of mycorrhizal colonization.
Photo courtesy of the Botany Department at West Virginia University

1) Arbuscular fungi start growing INSIDE root cells along the central core of the root. They are called Arbuscular because once inside the cells, they form tiny tree-like structures: trees inside trees! The large surface area created by their dense canopies is an efficient way to transfer water and nutrients.

2) Ectomycorrhizal fungi spread their strands AROUND root cells, forming a 3-D spongy structure called the Hartig net. The tip of the root becomes enveloped with a pale mantle, easily seen with the naked eye.

Some fungi are specific to particular trees – for example, Arbutus and Maple trees have their own favourite fungal species. But many fungi are non-specific and will colonize trees, grasses and many other plant species. Also, one tree may host several types of fungi at once. The established fungi maintain the flow of water and nutrients through fungal strands that connect their specialized inner root structures with the outer soil network, visible to us in the form of mushrooms and truffles.

A pale swollen mantle is a sure sign of ectomycorrhizal activity on tree roots. From “Relationships between Plants and Fungi”

A pale swollen mantle is a sure sign of ectomycorrhizal activity on tree roots.
From “Relationships between Plants and Fungi”

But the best view of all is under the microscope. When tree rootlets are thinly sliced, treated with special dyes and magnified, it becomes possible to see exactly where and how the two species, tree and fungus, meet and mate.  Electron microscope photographs are bizarre and beautiful, and these are no exception: a gold mine of ideas and eye candy. Below is one of many that drew my attention.

Arbuscular colonization

Electron microscopic image. Arbuscular mycorrhizae are in fuschia. See how they’ve expanded like blobs inside the root cells? Photo by Marc Perkins.

And the quilted panel that it inspired:

ROOT XS 1 2014 22X22S

Root XS #1 2014 22×22″ Quilted wall panel

In this piece my intention was to stay true to the photo so I could learn to manipulate line and shape, but while working on it I began to see great potential for design and content. More adventures ahead in future posts!

ROOT XS 1 2014 DET copy

Detail from my quilted wall panel inspired by a cross section from a tree root with arbuscular mycorrrhizal fungi. I used many kinds of materials, and the technique is machine collage, embroidery and quilting. Note the little trees!

The Mother Tree

Sunday, January 11th, 2015

In my many years of tree studies, I’ve accumulated a vast and varied assortment of reasons to love trees. I present you here with yet another great excuse: larger trees in a forest actually protect and nurture seedlings and young saplings.

It all begins with a complex system that involves specially evolved intermediaries called mycorrhizal fungi. Their fungal strands form an intimate bond with the tips of tree roots, and help the tree absorb water and nutrients. In return, the tree supplies the fungi with sugars. This network forms a dense mat in the top six inches of the entire forest floor, connecting all the trees in that location. Biologists have known about this root/fungus relationship for a very long time, but new research reveals even more fascinating material: the existence of Mother or Hub trees.

Niagara Escarpment Woods #8 by Janusz Wrobel

Niagara Escarpment Woods #8 by Janusz Wrobel

In a dense forest, the germination and establishment of fresh trees is a challenge: larger trees take up most of the nutrients, and the canopy prevents penetration of light to the forest floor. Ground-level surfaces tend to be inhospitable, and soil quality is poor. What is a seedling to do? What else: it calls on its Mother. In effect, once a seed begins to germinate, it awakens components of the fungal mat that quickly colonize its roots. The seedling thus becomes linked with a large pool of nutrients that connects it to larger, older specimens that have access to light. The more shaded the area, the more resources a seedling can access.

Saplings form strong fungal connections with large, mature trees.

Saplings form strong fungal connections with large, mature trees. Image by Prof Suzanne Simard.

When a mature tree declines and begins to die, she sends her resources back into the network, and it is time for the younger trees to begin nurturing their own young charges.

Fallen by Janusz Wrobel Shows a mature tree, fallen and being absorbed back into the network

Fallen by Janusz Wrobel
Shows a mature tree, fallen and being absorbed back into the network

In even more recent studies, biologists are discovering that a mother tree actually favours her own offspring. At one of the research sites I visited in BC, Amanda Asay, PhD (Does kin selection play a facilitative role in regeneration of forests under climate stress?) was monitoring the survival rate of related and unrelated seedlings. How was this done? Several mature trees were harvested of their seeds. Around each tree was embedded a series of marked mesh bags filled with local soil, into which were planted either the tree’s own seeds, or those of others. Over the next few months, if bears and other wildlife hadn’t harvested them first, a tally of survivors was taken.

Here are a couple of those bags. They are 8x5" in size and allow water and roots to pass through.

Here are a couple of those mesh bags. They are 8×5″ in size and allow fungi and roots to pass through.

At the site, I had the opportunity to see how scientific research really happens. In the muddy trenches of boreal forest, after months of exposure to climate, pests, weed growth and just plain attrition, those little mesh bags were a challenge to find. But yes! I found one! Then another, not too far away!… soon we were expert at detecting the minutest bit of white mesh buried in forest scruff. This and other adventures renewed my deep respect for biologists working in the field.

Here we are visiting Amanda's research site, looking for tiny mesh bags of seedlings. Amanda is wearing the red jacket.

Here we are visiting Amanda’s research site, looking for tiny mesh bags of seedlings. Amanda is wearing the red jacket.

Of course, I love the idea that trees might be altruistic: it certainly captures the imagination. However, biologists are quick to share the truth: the evolution of the mycorrhizal relationship has much more to do with the health and survival of species and communities, than what we humans identify as true altruism. The chemistry behind these processes is well documented. Never mind! Scientific explanations are much richer and more engaging than any romantic notion I can come up with – eventually it all connects and makes its own wild beauty. Science is the real magic: as long as we have inquiring minds, our knowledge and appreciation of the world will continue to grow, and so will our sources of inspiration.

LifeLines  2015  30x10" Saplings thriving with the support of a mature tree in the forest. The fungal connections are just visible at the roots.

LifeLines 2015 30×10″  Lorraine Roy
Saplings thriving with the support of a mature tree in the forest. The fungal connections are just visible at the roots.

Going somewhere? Start with a Map!

Friday, January 2nd, 2015

Today is the second day of January 2015. Nearly a full year ago, I received a grant for a special project, mentioned in this blog. Much has happened since, and in the next few posts I am going to show you some of the developments.

Just to recap: my new textile art project is inspired by recent scientific research on how trees share resources and communicate through their roots, with the help of mycorrhizal fungi. This amazing root/fungus system is important for most plants on the planet, but trees are especially dependent on this symbiotic relationship. In fact, without these fungi, trees would quickly die of thirst and starvation. Moreover, fungi not only help plants draw water, they also facilitate the transfer of nutrients amongst trees, and, even more amazingly, they actually deliver messages, even to other species (more about this later). It’s fascinating stuff, and the more I find out about it, the more inspiring it becomes.

The mycorrhizal network http://www.botanicalgarden.ubc.ca/potd/2010/03/mycorrhizal_networks.php

The mycorrhizal network

I am treating this project as a journey. It began the moment I first saw Prof. Suzanne Simard’s short video about her research. The ideas presented in this talk so aroused my curiosity that I couldn’t get it off my mind: MUST do something with this! With OAC grant in hand (or, more specifically, in bank) I could proceed with my itinerary.

How does one begin a journey? Why, with a map of course! Mine is a unique map, the product of several years of research by Prof Simard and associates. Using multi-locus microsatellite DNA analysis, they studied how two fungal species connected a group of Douglas Fir in a 30 m section of forest. The green fuzzy dots represent trees, and the lines connecting them are the fungal paths. Even without much technical knowledge, it’s easy to see that the system is extensive and intricately woven. One tree was found to connect to 47 other trees (see arrow)! I wanted to see this for myself.

From: Architecture of the Wood Wide Web New Phytologist (2010) 185: 543–553 www.newphytologist.org Reprinted with permission of the authors.

From: Architecture of the Wood Wide Web New Phytologist (2010) 185: 543–553 www.newphytologist.org Reprinted with permission of the authors.

So, in May, I headed out to BC to meet Prof Simard and to spend four days with her and her generous grad students. Wielding a shovel and gear, we drove through the mountains to locate and examine some of their research sites.

Us and 'Rob Ford', our trusty SUV.

Us and ‘Rob Ford’, our trusty SUV. Julia, Prof Simard, Deon, me and Melissa.

It was an eye-opening experience – far from the shelter of the cozy lab, we encountered all the elements the mountains could throw at us, except for bears and bugs who were waiting in the wings for summer.

End of May. Really.

End of May. Really.

Undaunted, we dug up some fascinating root/fungal structures.

The white fungal strands connect one set of tree roots with another.

The white fungal strands connect one set of tree roots with another.

We also spent time in the lab (more about this in a future post). When I got home I had plenty of material to ponder. For the past ten months I experimented with lots of crazy ideas and materials, came up with a plan, and in November began to approach public galleries with the proposal. In the next few blogs, I will share some of the ups and downs and images of the process. Every journey implies a destination, and mine is a touring exhibition in 2017 called Woven Woods.

OAC 2014

Below is my first interpretation of the Schematic map of the Douglas Fir research site. In it I stitched as many words I could find that meant ‘connection’. My initial intent was to make a very large version of this piece as part of the exhibition, but this idea did not make the cut. Perhaps for a future project?

Tree Chatter 12x12" 2014 Machine collage and embroidery on printed and plain fabrics

Tree Chatter 12×12″ 2014
Machine collage and embroidery on printed and plain fabrics

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White Pines with Cat

Tuesday, March 4th, 2014

The light hearted couple who requested this commission already had three of my pieces and several of my husbands’. They’d just bought a property in cottage country, Ontario, and wanted a wall piece in their large dining room, where they entertain a lot. They had spent a lifetime canoeing and camping extensively in all parts of Ontario, so it was clear from the outset that the subject matter would be White Pines of Georgian Bay. However as animal lovers and devoted cat owners, they had another request: they would like birds, and a cat, somewhere in the picture.

WHITE PINES WITH CAT 2014S

White Pines with Cat 2014 24×48″
(can you spot the cat?)

I love animals as much as I love a challenge, and this was not the first time I’d been asked to incorporate wild creatures. For one large commission I made in 2008, the client wished for all the genera of creation: plants, fungi, bugs, birds, fish, amphibians, reptiles, and mammals. The toughest part was the mammals…. how to make it all work without looking like a Disney production? Plus the space was filling up! The solution?  To curl a sleeping chipmunk into a crevice underground. Everyone was happy:

7 Days of Creation 2008 sm jpeg

The Seven Days of Creation 2008 – Lots of animals here!

7 Days serpent and ants

Fish, ants, snake….

CHIPMUNK - 7 DAYS

…. and chipmunk, in hibernation

Taking a cue from that experience, I embraced my cat lovin’ side, and settled a sleeping feline at the foot of a White Pine in the piece:

The Cat

This cat is not worried about the weather.

Terra Silva: A Return to the Roots

Friday, February 7th, 2014

Hello all,

Last month, after a four month wait since applying, I was awarded a generous grant to pursue a project very dear to my heart. The grant is the Ontario Arts Council Franco-Ontarian Arts Grant for Established Artists, and it is meant to help artists set aside time and resources to creating a body of work.

snoopy

SNOOPY DOING LORRAINE’S HAPPY DANCE

For my project, I propose to create an exhibition inspired by the world beneath the earth’s surface, where roots meet the soil. Most of us are completely unaware of the millions of organisms that work the soil. In fact, soil life accounts for a much larger living mass than that which exists above ground, just as roots can outweigh and outsize the visible part of the tree. I have always been fascinated by the science of soil, and it has been the subject of much of my latest work.

In my search for inspiration, I recently became aware of the work of Prof Suzanne Simard of UBC. Dr Simard is studying how microscopic fungi act as a communication interface between one set of roots and another, creating bridges between various tree species to share resources. The network works much like the neural networks of our own brain. Through her work, we are learning that trees in a forest do not compete, but in fact cooperate with each other and share resources. This gives a forest more resilience and stability against adversity like disease or climate change. In every forest ecosystem, there are certain Mother trees – older, larger specimens – that serve as anchors for a large grouping of younger trees around them. When Mother trees die, they slowly release their stored nutrients and resources to all the trees in the network. Click on the image below for a wonderful video of Prof Simard, talking about Mother Trees.

simard photoProfessor Suzanne Simard explaining her research: click on image to see short video

This research is a rich source of inspiration, both visually and conceptually. Also, it will be relevant to all who love trees and nature, and who care about the environment. I have been in touch with Dr Simard – she is eager to share more information and is excited about the exhibition. In fact, she invites me to come and see first-hand what she and her students are up to in the lab and in the field. Of course, I am saying YES!

So, here I am right at the beginning. Dr Simard sent me half a dozen papers and articles to read up on, and I’ve acquired a textbook for which she is a contributor. Happy to share this journey with you, along with all the digressions and distractions along the way.

OAC 2014

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